Open 24 Hours (2018) Movie Review

Director: Padraig Reynolds

Writer: Padraig Reynolds (Screenplay)

Starring: Vanessa Grasse, Brendan Fletcher, Cole Vigue, Emily Tennant, Daniel O’Meara

Plot: After setting her serial killer boyfriend on fire, a paranoid delusional woman gets a job at an all-night gas station.

Runtime: 1 Hour 35 Minutes

There may be spoilers in the rest of the review

Verdict: Thriller Keeps You Guessing

Story: Open 24 Hours starts when recently paroled Mary (Grasse) is looking to get a job, with her finding one in a nightshift in an all-night garage, she is suffering from visions of her past, which we only learn small amounts about, with her parole officer Tom Doogan (O’Meara) trying to put her back on the right path and her best friend Debbie (Tennant) supporting her on her first night.

As her first night starts, a storm hits, alone in the market, she starts to feel the uneasy with someone watching her, with the typical late night traffic coming through. Is Mary being stalked, or is she just seeing her nightmares come to life again.

Thoughts on Open 24 Hours

Characters – Mary is on parole after setting her boyfriend on fire, after learning about his true identity, she is trying to put her life back together, starting with just a job, only she is constantly haunted be the actions she witnessed, she simply can’t shake the feeling of being haunted, followed and stalked by the victims. Bobby is the fellow employee that checks up on Mary through the night, offers friendship in the new role, giving her someone to talk to about the problems in her life. James is the boyfriend that has been haunting Mary for years after the incident between the two, his actions led to Mary’s breakdown and now she doesn’t know what is real or not.

PerformancesVanessa Grasse as the leading lady does show us a performance that is filled with paranoia and fear, never letting us truly believe which side of the events are real. Brendan Fletcher, Emily Tennant and Daniel O’Meara fill the support cast up well, with Cole Vigue being the ex that isn’t letting Mary go, he feels disturbing through the whole film, no matter whether he is here or not.

StoryThe story here follows a young woman who is trying to put her life back together after her time in prison, only to continue to be haunted by the man that drove her to commit the crime in the first place, we see her first night on a job, when she gets a visit from an unwanted guest. This is a story that does try to keep us guessing to whether Mary is seeing things or whether James has returned to continue his killing spree with Mary being forced to watch. We get a fine balance between the two ideas, with us guessing well, only we have a couple of glimpses that don’t give away enough towards one of the direction. The fact this all happens over one night doesn’t help, because you would have thought a serial killer would have played things out smarter, if he is as calculated as it is implied he is or was and if it is just in her head, certain acts don’t make sense. While certain parts might not make complete sense, if you just watch for a story that does keep you guessing, you will enjoy this one.

HorrorThe horror in this film is the highlight, the brutal side of the actions of the killer brings buckets of blood, with uncomfortable scenes when it comes to his torturous actions.

SettingsThe film does use one main setting, the all-night gas station, being night it means the visitors are few and far between, it does created an isolated feeling and has the shadows for the killer to be haunting.

Special EffectsThe effects are very strong, with the kills looking as brutal as they are meant to be, not shying away from showing the full effect in action.

Scene of the Movie – First day drop off.

That Moment That Annoyed Me – The final scene.

Final Thoughts This is a nice horror thriller that does keep us guessing, even if we do get one too much attempts to spin what is truly happening.

Overall: Interesting Thriller.

FrightFest Presents presents Open 24 Hours on Digital HD from July 20th

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