Writer: Mike Flanagan, Jeff Howard (Screenplay)
Starring: Annalise Basso, Elizabeth Reaser, Lulu Wilson, Henry Thomas, Parker Mack, Halle Charlton
Plot: In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.
There may be spoilers the rest of the review
Verdict: Huge Improvement
Story: Ouija: Origin of Evil starts as we see séance scam artists Alice (Reaser) and her daughters Lina (Basso) and Doris (Wilson) showing off all their skills at getting the most out of their clients. We see how Lina the elder sister is getting tired of the scam and wants to add in a new trick to their scam, introduce the Ouija board and of course we get the rules told to us in case we missed the first film.
Once the Ouija board is bought into the house Doris starts acting strange like she has become possessed by a spirit summoned by the Ouija board and the family start to have their own money issues solved before we get to see the real motives behind the spirit taking over Doris’ body.
Ouija: Origin of Evil is the prequel to the largely disappointing horror film from last year. So naturally I was going in with little to no expectation on this film. I liked how this horror kicked out the pointless slasher side to the story and made the family come off so desperate for the money they would believe anything that could offer them. The film only feels connected by the title and could easily by a stand-alone horror film. The film comes off very creepy without hitting to mindless horror moments which is a big plus.
The performances from the small cast all works with Lulu Wilson shining as the creepy child while the rest all go great jobs during the story unfolding. This really is a huge improvement on the first film take the story in the direction it should have always been going.
Overall: Major improvement on the first film, creepy and horror ridden throughout.
And let’s not forget to mention the director, Flanagan, also made ‘Hush.’ What a difference a director can make!